Anthony Neilson and Robin French on the set of The Get Out (Royal Court Jerwood Theatre Upstairs 2014) WHAT'S SO SPECIAL, Photo by Alistair Muir 

Anthony Neilson and Robin French on the set of The Get Out (Royal Court Jerwood Theatre Upstairs 2014) WHAT'S SO SPECIAL, Photo by Alistair Muir 

Mimi Ndiweni, Lizzie Clarke, Josh Hill, Emily Sarah-Wallis, Adeline Waby in RICOCHET (Courting Drama - Southwark Playhouse 2015) Photo by Richard Lakos

Eleanor Williams and Sam Ducane in PLAY5 - BREAKNECK (PLAY - Old Red Lion Theatre 2015) Photo by Richard Lakos

Eleanor Williams and Sam Ducane in PLAY5 - BREAKNECK (PLAY - Old Red Lion Theatre 2015) Photo by Richard Lakos

Nicholas Gerard-Martin in JUNE (Little Pieces of Gold - Park Theatre 2013)  

Nicholas Gerard-Martin in JUNE (Little Pieces of Gold - Park Theatre 2013)  

Laura Hanna in PALINDROME (Miniaturists 50 - Arcola 2015) Photo by John Wilson

Laura Hanna in PALINDROME (Miniaturists 50 - Arcola 2015) Photo by John Wilson

Set for STRUCK (Stories in the Sand - Arcola Tent 2014) 

Set for STRUCK (Stories in the Sand - Arcola Tent 2014) 

STRUCK in rehearsal (Stories in the Sand - Arcola Tent 2014)

STRUCK in rehearsal (Stories in the Sand - Arcola Tent 2014)

Stephen Chance in BESPOKE (Friend of a Friend - Southwark Playhouse 2012) Photo by Craig Lawton 

Stephen Chance in BESPOKE (Friend of a Friend - Southwark Playhouse 2012) Photo by Craig Lawton 

ALGINATE
(Bechdel Testing Life, Bunker Theatre 2017)

CANON WARRIOR
What I loved about the piece, along with the lyrical dialogue, was that the nudity was not sexualised. They were just breasts which, as the play progressed, took on more significance as breasts that were about to be cut off. Women’s bodies are so rarely allowed to be just bodies onstage and Lynn’s piece achieved this. - Hannah Greenstreet